Lot 384

Apparently in good condition for the most part.

There are a few small areas of made up paper loss and other damage, mostly towards the edges, the largest at lower centre, with others smaller in the upper right part of the work and scattered elsewhere (as visible in the catalogue photo).

(In preparing this report the work has not been examined out of its glazed frame.)



The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to seek further information or request additional images during our pre-sale period where Leonard Joel staff are available for advice. Please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.

The estate of the artist, thence by descent
Bridget McDonnell Gallery, Melbourne, from whom acquired by Terence Lane in November, 2023

Royal South Australian Society of Arts, Max Martin, Adelaide, 1949, no. 29
Victorian Artists' Society, Max Martin, Melbourne, 1949, no. 25