Lot 198

Works appears to be in good condition (although observed from outside of frame). No tears, holes or creases are visible, along with no signs of discolouration. Very minor (early) signs of foxing can be seen on the right image, upper left hand side (only visible when close-up). Work is well framed.


The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to inspect articles for sale at our pre-sale viewing where Leonard Joel staff are available for advice.
Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.

Christopher Day Gallery, Sydney, 2006 (label verso)
Private collection, Tasmania

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