Lot 54

Work in very good condition. One pin-head sized dot of white pigment (foreign looking) present in the lower left side (on fore figures chin). A shadow line spanning the perimeter of the work suggests previous framing. Small losses to the surface, seen upper right corner and around edges. Paint imperfections and dirt (ingrained) seen on the surface. Newly framed in a shadow box off-white frame.


The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to inspect articles for sale at our pre-sale viewing where Leonard Joel staff are available for advice.
Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.

Private collection, Melbourne

In true Antipodean fashion, Blackman regularly explored the complexity of the human condition through his paintings. By 1960, he was producing his "Suites", often comprising of several smaller panels to form a larger mural.  Two Faces c.1960 encapsulates Blackman's poetic qualities through the interaction. The figures are intimate yet distant, their sorrowful eyes do not meet and there is an aching sense of isolation yet the hand placed on the shoulder with intent suggests familiarity. Blackman's use of light instills a sense of tension, a tool to portray emotion rather than the mere drama of chiaroscuro. 

© Charles Blackman/Copyright Agency 2020