Lot 42

There are signs of foxing evident across all four sheets. There is a surface loss to the collage on sheet IV, approximately 1cm to the upper section. This work is unframed, however mounted to a card board window display. There is foxing seen across the card board mount. It is our suggestion to have the work reframed to ensure the longevity of the artwork


The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to book a virtual viewing or request further images during our pre-sale period where Leonard Joel staff are available for advice.
Please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.

Private collection, Melbourne

During the 1970s and 80s, Madigan became interested in collage and assemblage. This medium enabled Madigan to move into more geometric work - a development that had stemmed from the influence of her partner, Robert Klippel.