Lot 44

Overall this work is in good condition. The work has been lightly adhered to the backing board to hold the work in place. Housed in a sleek light timber frame 90 x 70cm.


The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to seek further information or request additional images during our pre-sale period where Leonard Joel staff are available for advice. Please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.

Gift of the Artist
Private collection, Sydney

Kwangju Biennale, Kwagju, Korea, 1995 (suite, another impression)
Australian Perspecta, Art Gallery of New South Wales, Sydney, 3 February - 26 March 1995 (suite, another impression)
Prospect 19, Schim Kunsthalle, Frankfurt Germany, 1996 (suite, another impression)
Campo 6, The Spiral Village, Museum of Modern Art, Torino, Italy and Bonnefanten Museum, Masstricht, Netherlands, 1996 (suite, another impression)
From the Street - Photographs From the Collection, Art Gallery of New South Wales, Sydney, 27 April - 14 July 1996 (suite, another impression)
Venice Biennale (Futuro Present Passato), Venice, Italy, 1997 (suite, another impression)
Tracey Moffatt, The Institute of Modern Art, Brisbane, 8 September - 9 October 1999, (then toured Asia) (suite, another impression)
Sydney Biennale, Art Gallery of New South Wales, Sydney, 2000 (suite, another impression)

Snelling, M., (ed.), Tracey Moffatt, The Institute of Modern Art and Asialink, Brisbane, 1999, pp. 50-53 (illustrated, another impression)
Newton, G., Tracey Moffatt Fever Pitch, Piper Press, Sydney, 1995, p. 73-91 (illustrated, another impression)

Other impressions of this print are currently held in the permanent collections of the Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; The Tate, London; and Guggenheim Museum, New York.