Lot 10

Christie's, London, 23 January 2008, lot 260
Private collection, Melbourne

The French realist painter Rosa Bonheur is one of the most accomplished animalière of the nineteenth century. Bonheur's dedication to the naturalistic and anatomically precise portrayal of animals sets her apart in an era that had few comparisons. Her works reflect a combination of direct observation and a deep understanding of her subjects, standing as a testament to her talent in capturing not only the anatomy but also the essence of equine subjects. The painting 'A Grey Breton Draft Horse' is a fine example of her ability to depict the nobility and strength of a working horse. With meticulous brushwork and subtle tonality, Bonheur highlights her intimate knowledge of equine form, presenting the drafthorse's robust build and serene temperament.

'Tethered Pony', offers a contrast in both colour and mood. The warm hues and the darker palette evoke a sense of intimacy and perhaps a narrative of the pony's quiet contemplation. The tether, a simple but poignant detail, suggests not only the physical state of being bound but also hints at a deeper, emotive state of restraint. This work, whilst less detailed, is no less significant in demonstrating Bonheur's skill in rendering the texture of the pony's coat and the lifelike portrayal of its stance.
Bonheur's works are praised not only for their technical excellence but also for their emotive power and focus on working animals, opposed to the representation of riding horses or war horses more commonly illustrated at the time. These paintings invite viewers to contemplate the natural world and its beings, a hallmark of Bonheur's artistic philosophy.

Her commitment to portraying animals in their most truthful state earned her international acclaim, with 'The Horse Fair' being one of her most celebrated artworks, which is now held in the Metropolitan Museum of Art. To depict her subject most accurately, Bonheur regularly went to the horse market dressed as a man in trousers to sketch her subject matter, as women were not allowed to visit the market.

Collectors now have the opportunity to own a piece of Bonheur's celebrated career. These works which have never been seen on the Australian market are a fitting tribute to Bonheur's legacy, encapsulating her respect for animals and her mastery of painting.

Amanda North
Art Specialist