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Lot 69

A CHINESE ARCHAISTIC CARVED MOTTLED JADE DISC BI, MING DYNASTY (1368 - 1644)
The front of the disc is carved with four chilong dragons, one of which is holding lingzhi sprays in its mouths. The reverse is carved with a dense pattern of raised bosses in the archaistic style. The mottled stone ranges from pale celadon to dark brown tones. It's mounted on a wooden stand, with a gilded key-fret border along the rim. At the centre, framed by a pair of kui dragons, is the classic "Three" character mark. In the I Ching, the number three corresponds to the "Qian" trigram; combined with the surrounding dragons, it forms an allusion to "Qianlong" subtly reinforcing the emperor' s authority while showcasing the ingenuity and skill of the craftsman.

明 仿古玉璧

清代乾隆帝以好古、嗜古聞名,偏重古樸文雅,帶動了仿古的風潮。匠人門以古為師,通過傳承千百年來錘煉出來的高超手藝和豐富經驗,用精美的玉料還原出充滿遠古風韻的玉器。此件玉璧便是其中一例,用料質地溫潤,以“天道曰圓”的觀念開料,呈現圓環狀的外形,表面浮雕五條姿態各異的螭龍,身形矯健靈動。背面則鐫有經典的穀紋裝飾,這種多見於春秋戰國時期玉器上的古老紋樣象征農耕文明的豐收祈願,亦反映萬物復甦的自然崇拜,體現了中國古代文化的審美。

器配木座,邊緣處描金回紋,中心部在一對夔龍的簇擁下顯現出經典的“三”字款。“三”字在周易的八卦中象征“乾”位,與兩側的龍紋相結合,正好組成“乾隆”的寓意,可謂“處處見聖威”,隱喻之中凸顯巧匠工思。請參閱香港蘇富比2019年4月3日, 第3506拍品的嵌古玉紫檀插屏,中心部位亦有“三”字款。



11cm diameter

Estimate $12,000 - $25,000

Unsold

Overall in good condition.


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The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to seek further information or request additional images during our pre-sale period where Leonard Joel staff are available for advice. Please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.


An old private collection, Tokyo, acquired in the early 80s.


The jade bi is one of the earliest and longest-used types of ancient Chinese jade objects. The Zhou Li (Rites of Zhou) records: "Make six ritual vessels from jade to observe rites toward Heaven and the Four Directions: use the blue bi for Heaven, the yellow cong for Earth, the green gui for the East, the red zhang for the South, the white hu for the West, and the black huang for the North." The Strategies of the Warring States notes that "the King of Chu sent envoys with a hundred chariots to present a luminous bi," and the Zuo Zhuan records that King Gong of Chu used a bi in sacrifices to the assembled deities. Such references highlight the special significance of the jade bi in ancient Chinese culture. Beyond its ritual function, it symbolized power and played an important role in political exchanges. Its influence, prevalence, and wide distribution make it the most prominent type among ancient jade objects.

The Erya · Shiqi records: "If the central hole is larger than the body it is called a bi; if the body is larger than the central hole it is called a yuan; if the body and hole are equal it is called a huan." Early jade bi, as one of the "six ritual vessels" in traditional China, were simple and unadorned, with plain surfaces and relatively irregular craftsmanship. During the Spring and Autumn and Warring States periods, however, bi began to feature a variety of decorations, including cloud patterns, grain motifs, animal and bird designs. These decorations became increasingly elaborate and intricate, adding elegance and refined charm to what had been a very simple form.

The Qianlong Emperor of the Qing dynasty was renowned for his love of antiquity, favouring simplicity, elegance, and classical forms, which inspired a vogue for antiquarian imitation. Craftsmen, guided by centuries of inherited skill and experience, selected fine jade to recreate objects imbued with the spirit of ancient times. The present jade bi is a notable example: the material is warm and lustrous, cut according to the principle that "Heaven is round," forming a circular ring.

Important Chinese and Asian Art

AUCTION
Sale: LJ8791
11:00am - 2 November 2025
Hawthorn

VIEWING
Thur 30 Oct - Sat 1 Nov, 10am - 4pm
2 Oxley Rd, Hawthorn VIC

CONTACT
Luke Guan
asianart@leonardjoel.com.au


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