The present figure is a superb example of late Sri Lankan Buddhist sculpture, distinguished by its broad-shouldered silhouette, elegantly cascading robes with rhythmic folds, and prominent siraspata crowning the head. Its significance is further enhanced by its impressive scale and substantial weight, a consequence of the solid-casting technique employed by Buddhist image-makers during the Kandyan period.
Following several centuries of relative decline, Buddhism experienced a remarkable revival throughout the Kandyan Kingdom during the latter half of the eighteenth century under the patronage of King Kirti Sri Rajasinha (r. 1747-1782). The king actively supported Buddhist institutions and invited learned monks from Burma and Thailand to re-establish and strengthen the monastic tradition in Sri Lanka. In accordance with canonical prescriptions dating as early as the ninth century, Buddhist images in Sri Lanka were traditionally cast solid rather than hollow. The use of substantial casting moulds during the Kandyan period contributed to the distinctive monumentality and consistency of the sculptural style.
While Kandyan bronze figures are generally characterised by their powerful broad-shouldered proportions, subtle variations can be observed in the treatment of the robes, particularly in the undulating folds and the hem of the sanghati draped across the left shoulder. The present sculpture exemplifies these characteristics with exceptional clarity and refinement. For a closely comparable standing figure of Shakyamuni Buddha, see the example sold at Christie's New York, 11 September 2019, lot 335.
46cm high (Overall including the base); 36.8cm high (figure)
Estimate $20,000 - $30,000
Wear to gilt, which is consistent with age and use, overall in good condition, there is an old casting hole on the top of the base.
The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to seek further information or request additional images during our pre-sale period where Leonard Joel staff are available for advice. Please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.
Jazmin Asian Art, Singapore.
A private collection Sydney, acquired from Eastern Discoveries Antiques, Singapore, in 2007.
San Francisco, Arts of Pacific Asia Show, 2006.
Important Chinese & Asian Art
AUCTION
Sale: LJ8825
11:00am - 25 October 2026
Hawthorn
VIEWING
Thurs 22 - Sat 24 October, 11am - 5pm
2 Oxley Rd, Hawthorn VIC
CONTACT
Luke Guan
luke.guan@leonardjoel.com.au
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